South Indian Portraits in Stone and Metal

by T. G. Aravamuthan

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  • PublisherPrints Publications Pvt Ltd
  • ISBN-139789366977348
  • BindingPaper back
  • Pages80
  • LanguageEnglish

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Publisher Prints Publications Pvt Ltd
ISBN-13 9789366977348
Binding Paper back
Number of Pages 80 Pages
Language English
Dimension (Inches) 5.5''*8.5''
Weight (Grams) 104
Subject Classic Fiction
Category Fiction

South Indian Portraits in Stone and Metal is a book that explores the rich tradition of sculpture in South India, focusing on portraiture in stone and metal. The book highlights various historical figures, including kings, deities, and notable individuals, represented through intricate sculptures. It delves into the artistic styles, techniques, and cultural significance of these portraits, offering insight into the region’s heritage and the craftsmanship of South Indian artisans across centuries.

T. G. Aravamuthan

T. G. Aravamuthan was a distinguished Indian scholar and historian known for his expertise in South Indian art and iconography. His book South Indian Portraits in Stone and Metal offers a detailed study of the region’s sculptural heritage, examining the stylistic and cultural significance of stone and metal portraits. Aravamuthan’s work provides invaluable insights into the art forms of South India, preserving knowledge of its artistic traditions and contributing significantly to Indian art history scholarship.

                                               Contents
Acknowledgments                                   05
Preface                                                      07

I        A Persistent Art                                 09
II       The Element of Portraiture               15
III      The Craving for Portraiture               25
IV     Statues for Worship                           32
V      Memorial Stones                               37
VI     Memorial Temples                             40
VII    Statues to  Ancestors                        52
VIII   Origins                                               57
IX     Conclusion                                        71

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